Saturday, February 6, 2016

New(!!!) X-Files episodes: (some) assorted thoughts

Though I haven't posted since New Year's Eve, I'm almost (note the "almost") okay with that fact, for something shifted in my brain during the course of this past month: between my full-time job and my "recovery" hours between shifts and on the weekend, to expect myself to write exhaustive reviews all of the time is unreasonable, running contrary to my "natural" (as if) day-to-day living rhythm.

Honestly, at this point, I'm not sure what the future of this blog is going to look like. Nonetheless, especially as we're already halfway through the X-Files revival's six-episode run, I can't let it go without posting about it.

It's been a while, so they're not wielding
those badges with confidence again yet...

Here, I now offer my take on the three new episodes that have aired to date:

"My Struggle" (1/24/16)

Like every season past, the series' tenth (it seems that's what these six episodes are officially considered) opens with a sweeping, tumultuous, big-in-scale-and-scope Mytharc episode... except virtually none of the Mytharc threads left hanging at the end the (I guess former) series finale, "The Truth", are addressed. Obviously written with casual and new viewers in mind, all you really have to know is that since the late '40's, UFO sightings have persisted throughout the U.S., almost as though the show is using the actual history of ufology as its backstory and starting anew from there.

Honestly, as much of a continuity freak as I am, I didn't mind the unexplained absence of Super Soldiers or the question of why Skinner still has his job after having aided in Mulder's escape from death row in "The Truth". (Though these fumblings aren't actually new; in the 2008 film I Want to Believe, Mulder's fugitive status was casually, inextricably written off, and at the film's climax, Skinner's surprise appearance found him without explanation still FBI Assistant Director)

Rather, I was riveted...
  •  ...right from Mulder's  clarion call-like voiceover intro -- which was accompanied by a montage of striking images of UFO sightings, a number of which appeared to have integrated CGI UFOs into of proper live-action footage of actual landscapes and cityscape, making the prevalence of such events far more realistic and imminent-seeming than the original series ever had...
  • the strained, angst-ridden reunion of Mulder and Scully...
  • the intrigue introduced with Internet conspiracy talk show host Tad O'Malley seeking out Mulder as an ally...
  • ...and then how, having led Mulder and Scully (and us) along by a dangling carrot for two-thirds of the episodes, O'Malley lays down all his cards and outlines the global elite's bleak, dystopian, Hell-on-Earth plans that he professes to have uncovered(*)...
  • (*) Citing 9/11 used as an excuse for endless war abroad and attacks on civil liberties like the Patriot Act and the NDAA; Big Pharma; transnational food corporations like Monsanto that have a stranglehold on a major fraction of the market but questionable regard for public health; and infinitesimal inflation and Too-Big-To-Fail bailouts, this wasn't sci-fi so much as a regurgitation of the news.
  • ...clear through to the ground-pulled-out-from-under-us, brick-to-the-head last-minute turn of events bringing about an abrupt cliffhanger: Mulder and Scully discovering the likely-ordered-from-on-high shutdown of O'Malley's website; jackbooted storm troopers raiding and destroying the hangar housing a secret project utilizing alien technology, unflinchingly mowing down with their machine guns every last one of the the earnest, noble, world-class scientists working there whom we'd met earlier; and the stark dramatization of the  cold-blooded apparent murder (via a beam of light directed at her from a UFO, ensuring as over-the-top bombastic cliffhanger as possible) of O'Malley's prospective key witness, a completely sweet, endearing, innocent young woman named Sveta, milking every last drop of the audience's sympathy for her so as to leave them distressed and clamoring for follow-up and resolution.
 Gee, I have NO idea who Tad O'Malley 
could be based on... do you? 

Mulder and a reluctant Scully
convene with O'Malley and Sveta.


"Founder's Mutation" (1/25/16)

 We begin with a guy suffering a splitting headache...

...and somehow end with bio-engineered siblings sharing 
some sort of psychic link meeting for the first time.

It was frustrating to know that the second episode wouldn't be following up on the first... but then, that's exactly how it always was, right? An exemplary Monster-of-the-Week entry, from the nature of the case (it starts off grisly, but it winds up somewhere more wondrous), the federal agent procedural angle, and the scientific basis. It was charming to see Mulder and Scully present their FBI badges to interviewees for the fist time in over 15 years, wrangle with uncooperative witnesses, and create a bureaucratic tiff with another federal agency, the Department of Defense.

Skinner's wry "Welcome back, agents" as he hands the newly reinstated Mulder and Scully their badges just after an unfriendly visit from a terse DoD representative (who doesn't get off without being subjected to some Mulder-brand sarcasm, of course) was one of the most priceless parts of the episode.

"If we don't make eye contact wit him, maybe he'll start to think he's not real."

And James Wong, one-half of the James Wong-Glen Morgan duo who wrote some of the original series' best episodes, should certainly get his due for this episode's solid, tight writing and directing. The dream/alternate reality sequences showing Mulder and Scully's son, William, growing up with them in a happy domestic household were not just beautifully shot, but very touching.

In another life....

"Mulder and Scully Meet the Were-Monster" (2/1/16)

If you know what the phrase "a Darin Morgan episode" portends 
and are told that this image is, in fact, from a Darin Morgan episode... 
it makes perfect sense.

Darin Morgan, the writer of classics like "Jose Chung's From Outer Space" (and certain lesser known but arguably even more brilliant second-season Millennium episodes), triumphantly returns with his trademark mix of self-parody, silliness, and introverted, existential reflective observations about how perplexing so many aspects of everyday life are, and how that goes largely unnoticed and taken for granted. If you've ever felt like you're playing someone other than yourself in your own life, you'll surely appreciate the way Morgan turns the show's whole Monster-of-the-Week concept of what a "monster" is on its head.

-- Ryan

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