Showing posts with label Chris Carter. Show all posts
Showing posts with label Chris Carter. Show all posts

Tuesday, February 23, 2016

(Some) Assorted Thoughts on: The X-Files, season 10, episodes 5 and 6: "Babylon" and "My Struggle II" (2/15/16 and 2/22/16)

Had I gotten around to writing about "Babylon" before the latter edition of "My Struggle" had aired, I would be subjecting you to a far more negative blog post. Indulging in bloated production orchestrations and a sense of humor that's not just gimmicky and shallow, but just plain puzzling, "Babylon" found Chris Carter embracing his worst tendencies, all too painfully evoking memories of the insufferable inanity of, say, "The Post-Modern Prometheus", "Triangle", and "Improbable". Most will probably point to the insipid, totally unfunny "Mulder goes line-dancing while on mushrooms" abomination as the episode's worst sin. However, I was absolutely SHOCKED AND APPALLED that Carter shamelessly pulled a tired old trick (one that the show has done five or so times in its history) out of his that: that of introducing obvious, cutesy doppelgangers to Mulder and Scully, apparently intended to illicit irony and humor.

...actually, I'm leaning toward the episode's TRULY biggest, most unforgivable sin being the bill of goods Carter sold us with his promise at last year's San Diego Comic Con that "the Lone Gunmen will be back". Memo to Carter: Having their distorted, costumed visages appear for a couple seconds in Mulder's drug tri DOESN'T COUNT.

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(...oh. All of my negativity toward "Babylon" came pouring out after all, didn't it?) As was always the case when contrasting Carter's bloated-budget "family entertainment" episodes with his cornerstone Mytharc episodes, "My Struggle II" is an all together different case. Having eagerly awaited it with baited breath these past four weeks, it exceeded my expectations, not just following through and delivering on what was set up in the first part, but -- as foreshadowed by the numerous stills from the show's early years that complemented Scully's voiceover intro-- actually bringing the Mytharc full circle, explicitly honing in on story threads harkening all the way back to the second season.


 The most exciting development was the significant screen time given to Cancer Man (who we were teased with at the very end of Part I... and whose appearances here -- as he deserves --  were given the show-stopping, shamelessly histrionic gravity of a veritable arch-villain for the ages, as he deserves) and a certain other returning cast member whose made-over role might in fact be considered controversial and seen as cheap by some. As likable as the character of Monica Reyes as played by Annabeth Gish may have been, she never really got to come into her own the way that Robert Patrick's John Doggett did.

Patrick fully assumed the position of male lead for nearly the entire duration of season 8 and 9; even when he did "have" to share the spotlight with Mulder, in the writing and the performing, it was a totally convincing meeting of wills. Reyes, on the other hand, was "brought in the backdoor" late in season 8 as a recurring guest character, forcibly presented in a one-note way as the quirky "New Age" agent with weird interests. When she was officially made lead for season 9, she was re-characterized as completely bland, presumably to fit some conception of mass appeal. And not only did she have to share space with Scully, her sensitivity and earnestness made her seem of junior status compared to Doggett, ostensibly her partner. And even Doggett got a shoehorned "personal" Mytharc, while Reyes had no backstory and, really, no character arc -- she was a purely functional investigative agent assigned to the X-Files. So while she may have had potential, fast-forward to 2016, and she's obviously going to be given a secondary role as long as Mulder and Scully are restored as the leads. Thus, her surprise return and the twist revealed with it gives this exhilarating tsunami an additional point of intrigue and "edginess"...and believe me, it already has A LOT going for it. 

Things escalated so rapidly, Scully was rushing to literally save the entire world, in a state of panic from an abrupt mass viral outbreak, before I'd even registered what was happening. The Mytharc has endured loads of criticism throughout the years for eternally setting the stage for an impending threat to all of humanity but never delivering. Honest to God, they actually did it, and even though it was contained in one mere episode (well, so far... read a bit further), they actually hit the "epic apocalyptic feature film" level that a "Mulder and Scully save the world" barnburner calls for!  

And it should have seemed all too much contain in 42 minutes, for in fact, we were left on an out-of-field (but very appropriate, given the series' iconography in the popular consciousness) cliffhanger that would be AGONY if it were never followed up on... but I'm happy with what preceded it, and all signs are that both Carter and Fox are more than ready and eager to continue, I'm not too worried. 

Oh, and two important points:

1. The Mulder and Scully "young doppelganger" characters returned, and they actually worked pretty well in a serious drama. Still, it's hard to get over how obvious it is not just that they've been brought on as bench-warmers in case Fox is willing to go ahead with Duchovny and/or Anderson, but that we've been through this before, stringing us along with Spender and Fowley in seasons five and six, and later Doggett and Reyes stepping up as full-fledged, official replacements. (Though both, even the under-realized Reyes are characters unto themselves and by no means clones of Mulder and Scully, nor their inversions as were Spender and Fowley, earning their own respectable places on the X-Files tapestry, ultimately, they were the product of a backup plan.) 

2. Remember last post, when I was speculating as to if they would ever be brave enough to take on the landmark story that would be William's return? Part of the cliffhanger was Scully realizing that the world depends on his being found... yup, they're going all in and giving him a singular spot in the Mytharc as the "Golden Child" immaculately conceived by Scully -- who it's implied is destined to be Central Player in the Grand Scheme of Things herself -- who is to the world's savior messiah. That's right, all in! :D

-- Ryan

Saturday, February 6, 2016

New(!!!) X-Files episodes: (some) assorted thoughts

Though I haven't posted since New Year's Eve, I'm almost (note the "almost") okay with that fact, for something shifted in my brain during the course of this past month: between my full-time job and my "recovery" hours between shifts and on the weekend, to expect myself to write exhaustive reviews all of the time is unreasonable, running contrary to my "natural" (as if) day-to-day living rhythm.

Honestly, at this point, I'm not sure what the future of this blog is going to look like. Nonetheless, especially as we're already halfway through the X-Files revival's six-episode run, I can't let it go without posting about it.

It's been a while, so they're not wielding
those badges with confidence again yet...

Here, I now offer my take on the three new episodes that have aired to date:

"My Struggle" (1/24/16)

Like every season past, the series' tenth (it seems that's what these six episodes are officially considered) opens with a sweeping, tumultuous, big-in-scale-and-scope Mytharc episode... except virtually none of the Mytharc threads left hanging at the end the (I guess former) series finale, "The Truth", are addressed. Obviously written with casual and new viewers in mind, all you really have to know is that since the late '40's, UFO sightings have persisted throughout the U.S., almost as though the show is using the actual history of ufology as its backstory and starting anew from there.

Honestly, as much of a continuity freak as I am, I didn't mind the unexplained absence of Super Soldiers or the question of why Skinner still has his job after having aided in Mulder's escape from death row in "The Truth". (Though these fumblings aren't actually new; in the 2008 film I Want to Believe, Mulder's fugitive status was casually, inextricably written off, and at the film's climax, Skinner's surprise appearance found him without explanation still FBI Assistant Director)

Rather, I was riveted...
  •  ...right from Mulder's  clarion call-like voiceover intro -- which was accompanied by a montage of striking images of UFO sightings, a number of which appeared to have integrated CGI UFOs into of proper live-action footage of actual landscapes and cityscape, making the prevalence of such events far more realistic and imminent-seeming than the original series ever had...
  • ...to the strained, angst-ridden reunion of Mulder and Scully...
  • ...by the intrigue introduced with Internet conspiracy talk show host Tad O'Malley seeking out Mulder as an ally...
  • ...and then how, having led Mulder and Scully (and us) along by a dangling carrot for two-thirds of the episodes, O'Malley lays down all his cards and outlines the global elite's bleak, dystopian, Hell-on-Earth plans that he professes to have uncovered(*)...
  • (*) Citing 9/11 used as an excuse for endless war abroad and attacks on civil liberties like the Patriot Act and the NDAA; Big Pharma; transnational food corporations like Monsanto that have a stranglehold on a major fraction of the market but questionable regard for public health; and infinitesimal inflation and Too-Big-To-Fail bailouts, this wasn't sci-fi so much as a regurgitation of the news.
  • ...clear through to the ground-pulled-out-from-under-us, brick-to-the-head last-minute turn of events bringing about an abrupt cliffhanger: Mulder and Scully discovering the likely-ordered-from-on-high shutdown of O'Malley's website; jackbooted storm troopers raiding and destroying the hangar housing a secret project utilizing alien technology, unflinchingly mowing down with their machine guns every last one of the the earnest, noble, world-class scientists working there whom we'd met earlier; and the stark dramatization of the  cold-blooded apparent murder (via a beam of light directed at her from a UFO, ensuring as over-the-top bombastic cliffhanger as possible) of O'Malley's prospective key witness, a completely sweet, endearing, innocent young woman named Sveta, milking every last drop of the audience's sympathy for her so as to leave them distressed and clamoring for follow-up and resolution.
 
 Gee, I have NO idea who Tad O'Malley 
could be based on... do you? 

Mulder and a reluctant Scully
convene with O'Malley and Sveta.

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"Founder's Mutation" (1/25/16)

 We begin with a guy suffering a splitting headache...

...and somehow end with bio-engineered siblings sharing 
some sort of psychic link meeting for the first time.

It was frustrating to know that the second episode wouldn't be following up on the first... but then, that's exactly how it always was, right? An exemplary Monster-of-the-Week entry, from the nature of the case (it starts off grisly, but it winds up somewhere more wondrous), the federal agent procedural angle, and the scientific basis. It was charming to see Mulder and Scully present their FBI badges to interviewees for the fist time in over 15 years, wrangle with uncooperative witnesses, and create a bureaucratic tiff with another federal agency, the Department of Defense.

Skinner's wry "Welcome back, agents" as he hands the newly reinstated Mulder and Scully their badges just after an unfriendly visit from a terse DoD representative (who doesn't get off without being subjected to some Mulder-brand sarcasm, of course) was one of the most priceless parts of the episode.

"If we don't make eye contact wit him, maybe he'll start to think he's not real."

And James Wong, one-half of the James Wong-Glen Morgan duo who wrote some of the original series' best episodes, should certainly get his due for this episode's solid, tight writing and directing. The dream/alternate reality sequences showing Mulder and Scully's son, William, growing up with them in a happy domestic household were not just beautifully shot, but very touching.

In another life....

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"Mulder and Scully Meet the Were-Monster" (2/1/16)

If you know what the phrase "a Darin Morgan episode" portends 
and are told that this image is, in fact, from a Darin Morgan episode... 
it makes perfect sense.

Darin Morgan, the writer of classics like "Jose Chung's From Outer Space" (and certain lesser known but arguably even more brilliant second-season Millennium episodes), triumphantly returns with his trademark mix of self-parody, silliness, and introverted, existential reflective observations about how perplexing so many aspects of everyday life are, and how that goes largely unnoticed and taken for granted. If you've ever felt like you're playing someone other than yourself in your own life, you'll surely appreciate the way Morgan turns the show's whole Monster-of-the-Week concept of what a "monster" is on its head.

-- Ryan